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Peindre la foule. Un aspect du dessin satirique fin de siècle et ses relations avec la scène artistique

Emmanuel Pernoud
p. 105-117

Abstracts

Crowd is a cliché of the "fin-de-siècle" satirical illustration. The subject of this paper is to recount on the one hand the genesis of this influent cliché, who coincide with the issue of the books of Gabriel Tarde and Gustave Le Bon, and to show on the other hand how this topic of the crowd crystallized a privileged system of relations between the classical painting and printed pictures. If representasion of the crowd frames one of the axis of pictorial modernity, from Manet to Vallotton, this iconographical rupture is coming with a new economy of picture who liberalize relations between major and minor.

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Index terms

Mots-clés :

Histoire culturelle
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References

Bibliographical reference

Emmanuel Pernoud, “Peindre la foule. Un aspect du dessin satirique fin de siècle et ses relations avec la scène artistique”Revue d'histoire du XIXe siècle, 19 | 1999, 105-117.

Electronic reference

Emmanuel Pernoud, “Peindre la foule. Un aspect du dessin satirique fin de siècle et ses relations avec la scène artistique”Revue d'histoire du XIXe siècle [Online], 19 | 1999, Online since 26 August 2008, connection on 18 April 2024. URL: http://journals.openedition.org/rh19/158; DOI: https://doi.org/10.4000/rh19.158

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About the author

Emmanuel Pernoud

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Copyright

CC-BY-SA-4.0

The text only may be used under licence CC BY-SA 4.0. All other elements (illustrations, imported files) are “All rights reserved”, unless otherwise stated.

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